Installations
“The Cake”,
“The Cake”, a very large-scale installation, evokes an edible world, cut into slices. These give a glimpse of an earthen filling tapped by earthworms. An image of a world divided into appetites, gnawed from within by a gluttonous vermin.
“The Cake”, 2004. Tech. Mixed media. Variable dimensions. Coll. Fond National des Arts plastiques.
“The Cake”, 2004. Tech. Mixed media. Variable dimensions. Coll. Fond National des Arts plastiques.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake” and, in the background, “The Prince of Bellies”.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake” and, in the background, “The Prince of Bellies”.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake ”.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake ”.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake ”.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake ”.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake ”.
“Gilles Barbier” exhibition at Carré d’Art, Nîmes. “ The Cake ”.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.
Studio view.